Review of The Iron Fist: Better than Kung Fury, but it ain’t no Enter the Dragon (Spoilers)

I want to preface this review with a bit of information. I am not very knowledgeable on Iron Fist from the comics, so there are nuances to the character I may not know/understand. I am reviewing this based on the merits of the show itself and the strengths of its actors and actresses. This is a spoiler review.

Netflix has been on a pretty positive roll with their Netflix series set within the Marvel universe. Daredevil has been touted across the board as excellent, while both Jessica Jones and Luke Cage have been critically well received with positive fan feed back along side them. Characters like the Punisher and the team up of the Defenders, which includes our titular character Danny Rand, are in the works or finishing up their production for us to consume. On top of already announced projects, fans are speculating about other potential heroes to join the Netflix roster such as Moon Knight, The Demon Etrigan or Constantine, I personally want to see Etrigan as I like fantasy shows and a demon who rhymes is just cool.

With all of the positive momentum that Netflix and Marvel have garnered so far however is marred by the internet having issues with its latest series. The “controversies” like white washing in other movies made their way into Iron Fist, which in itself is comical, as this character is actually white in the comics as well, but I digress. Couple these casting discussions with the fact that many outlets that got the first six episodes of Marvels new Netflix series were not as entertained as they had been with previous entries. Whether it’s too high of expectations, or Marvels legitimate first major misstep, everyone was talking about it. To add fuel to this fire unfortunately the main lead, Finn Jones, made some less than, lets call them, “well thought out” comments about peoples negative reactions. However we are now a few days past the release date, and those of us who want to be part of the conversation have binged the first season of Iron Fist, so lets actually talk about it.

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The series opens with our introduction to Danny Rand, the Immortal Iron Fist, listening to some old school hip hop as he wanders down the street. Clad in ratty cloths, and an old backpack, he enters his father’s office building, only to be promptly kicked out. To be fair, if you went into the offices of a place that knew you, but you have been presumed dead for the past fifteen years, being kicked out seems pretty reasonable. Undeterred however, Danny tries to enter a second time and we get to see the teachings of K’un Lun in action. . . . and they are not very impressive. The unfortunate nature of either how these were shot or the actor himself does not lend any sort of weight or mysticism to this brief encounter against the security guards. This ‘soft touch’ or ‘half speed’ nature that many of the fights have are, in my opinion, one of the main reasons Iron Fist suffers, however I will discuss that later.

Danny makes it up to the top floor to see the Meachum siblings, Joy and Ward, and as you can imagine everyone is confused and scared because a homeless looking man is in their office building. This is not a beat by beat recounting, I just wanted to bring these three characters in at the beginning because they are the primary trinity that we revolve around, which in itself causes issues with the story. Both actors Jessica Stroup, Joy, and Tom Pelphrey, Ward, are actually solid actors in this series. Mr Pelphrey actually being one of my favourites in the series due to the constant outside forces pushing against him. Ms Stroup does a good job of being the both the hammer and the sickle when needed in their business life, and on the occasion in their personal life. Out of all the characters in this series though, I have to say that Finn Jones was the actor who struggled to make an impact in my book the most.

Whether it was from poor direction, poor script, or the actor was just the wrong choice the role if Iron Fist never feels fully fleshed out. The first episode to the last keeps the character circling the same few plot points over and over again, and each time there is a clear path to expanding upon his character they choose to avoid that off ramp and stick to their circle. This is disheartening to say the least, but frustrating in part because each of these potential divergent character flaws or branches of growth would have done the one thing Danny was sorely missing, and that is the aforementioned fleshing out. While it’s made clear that he has psychological problems due to the trauma of his parents dying in the plane crash at the beginning of the series, and a point we continually go back to in flash backs, they never allow the character to grow up. His mentality, maturity and overall morality system are based off of this one incident, which again would be fine at the beginning of the series, but not at episode thirteen. Couple this fact with that those said personality traits mentioned above radically change every couple of episodes at its best or multiple times within the same episode at worst, and you have a character that feels like a collection of idea’s and not a singular being. Not all is negative with Jones however as he does try, or at least seems like he does, to give his all for each scene. He feels honest in the quieter moments of each episode, and even though some of the lines are brutally bad, I can appreciate the effort. His spats of rage/flashback induced fear also seem to be pulled out from him well, as his physical acting in these parts match’s what someone might do or feel.

The rest of the cast is pretty good as well, much like the Meachum sibblings they all give solid performances. Jessica Henwick as Colleen Wing is one of the seasons strongest actors, as she supports Iron Fist throughout the majority of their time on-screen. I personally dislike how it seemed to go from “oh you’re a guy” to “I am infatuated with you because you know kung fu” over the course of. . . well I don’t actually know when, I can’t seem to find the actual transition period when going back, as it just seems like she goes from the Daughter of the Dragon to the girlfriend of the Iron Fist in the blink of an eye. It should be known I am not a fan of romance subplots, as to me they are not usually done well, though I am prepared to be told I am wrong here. If I had to pick standout actors though it would be Harold Meachum’s David Wenham, Faramir from LotR for those sweaties in the crowd and Wai Chng Ho as the always impactful Madame Gao. David’s portrayal of a man pinned into a corner but is always working the angles gives you an ally and villain you can get behind throughout the course of the show. On that same playing field is Madame Gao, much like Rosario Dawson’s character Claire, helps bridge the gap between each of the Netflix shows as part of their connective tissue. Her soft but menacing touch to every scene she is in makes her such a fun character to watch, and as events unfold you see how well she weaves her webs of deception and lies to great effect. I have to mention one more character as a personal favourite of mine as he brought the level of action up for a brief moment to where I had wanted it all season, and that is Lewis Tan as Zhou Cheng a Zui Quan, or Drunken master style, martial artist. He was only in Iron Fist for one episode, but I found him to be entertaining to watch in the fight, philosophically on point to his oath/word and brought a dry humor to the scene which was needed.

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Speaking of fighting, let’s get into what should have been the crowning achievement of this series, but ultimately fell flat in the overall picture. The Iron Fist is supposed to be a martial arts master, a point which is reinforced through exposition throughout the series, yet watching Danny Rand fight felt like watching a group fighting in water. Besides a few of the scenes I will discuss in a moment, every fight felt light, and did not have the impact one would expect coming from a martial arts-centric series. Punch’s are floaty, kick’s limply impact their opponents and throws feel like everyone is landing on pillows. There are exceptions to this however, and I think they need to be pointed out as what the standard SHOULD have been. The first one to really grab my attention was the first and second time Colleen Wing entered into an underground fighting ring. You can see her unshackle herself mentally as the rush of combat over takes her. Each blow feels like a fight is happening and the more visceral nature of these cage fights show off how Iron Fist can get their trade craft done right. The aforementioned Zhou Cheng fight two-thirds of the way through the season is another fantastic fight to draw inspiration from. This, out of all fights in my opinion was the closest thing to a “Full on Daredevil Fight” we saw, as the impact of blows to body and face looked and felt like they were happening, instead of the worst episodes of the CW’s fight scenes we were normally treated to. The second most “Daredevil fight” was when they fought Ramon Rodriguez character Bakuto in the elevator hallway. This extended fight once again felt impactful and real, as silly of a term that may be, compared to the rest of the episodes.

As I reflect back on season one of Iron Fist, my biggest negative take away is how much the main character didn’t follow any of the story arcs they brought forth in the scene/episode before them. It may seem like I am harping on it, but the inability for the character to grow out of his adolescence mentality doesn’t suit the their overall universe and, in my opinion, makes Danny Rand look like a poorly constructed character. His lack of character development is countered however by the rest of the cast being pretty on point for the most part and makes up for many of the short comings the season was hampered with. The ending of season one leaves the door wide open for much better story telling, significantly better fighting sequences and hopefully a worthy successor to this character, as it’s not quite limp, but it certainly isn’t an Iron Fist.

As with all of my reviews (going forward) I am using a -10 to 0 score where a -10 is utter garbage and a 0 is as close to perfect as you can get.

Final Score -4

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Horizon Zero Dawn Review: The Dinobots, a Red Head and fantasy wonder set in a future world

Creeping through the brush, a young woman survey’s her surroundings. Lumbering through the canyon is a creature of gargantuan proportions, its head swaying from side to side as it scanned the area for intruders, heavy weapons twitching and re-aligning to acquire their next target. Scurrying at its feet are a pair of Watchers darting to and fro as they supplement the giant creatures cones of vision and protect its flanks.  A sharp whistle breaks the silence and a Watcher shoots up, immediately on guard and begins to pace cautiously towards the brush the sound came from. As the slender creature steps into the girls hiding spot, a flash of silver lash’s out and pierces the robotic throat, silencing any chance of alarm and putting the first part of her plan into motion. The Thunderjaw circles around a pillar, leaving the second Watcher alone, trailing its alpha predator, and once more a shrill whistle echo’s out to catch the creatures attention. Unlike its partner, this Watcher becomes an ally as its programming is overridden and the pale blue light of compliance wash’s over the machine.

As our heroine lays her trap-wires and resupply’s her quiver, the methodical pounding of the hundred ton machine becomes clearer as it rounds the corner once more, ever vigilant over its territory and both it and the, now turned ally, Watcher process their perspective new threats. The hunter stands, and raises her bow with two arrows knocked, the thrum of two Terrablast arrows send gentle vibrations up her arm. The snap of a bow-string turns into the whine of arrow heads spinning up to blow away armour chunks and the whirl of aggression from the mechanical creatures leaping towards each other. Heavy weapons are rent like so much iron and fall to the floor, forcing the gargantuan beast to move into melee range, its rage focused on the hunter who has damaged it. As she flee’s through her carefully laid gauntlet of traps the Thunderjaw is hammered by explosions and lengths of wire laid to set all who touch it ablaze, all the while being savagely attacked from the rear by our Watcher companion. Arrow after arrow are fired from every angle quickly give way to heavier weapons as supplies run low and a vicious tail swipe makes short work of the diminutive flanker. As she doges charges and blaster fire, our hunter spots the back-mounted weapon she knocked off earlier in the fight and makes a break for it. Ground shaking steps close in on her, and with a final dodge the creature crash’s through a huge stone and couple of tree’s momentarily disorienting it. This window allows for her to not only pick up the weapon, but to turn and unleash the beasts own destructive power upon it, and as it is hammered back farther and farther, metal shrieking and armour plates twisting and rending off under constant barrage, the disheveled monster finally falls, an explosive round hitting it in the side of the head in a glorious display of explosive pyrotechnics. . . . . . .  and that was the first time I fought a Thunderjaw.

If you indulged me my little story I, one appreciate it and two want to use this as the foundation for my review of Horizon Zero Dawn. Made by Guerrilla Games, the developers known for the Killzone series, and published as an exclusive on the PS4, Horizon is quickly becoming another developer who went from ‘good’ to ‘great’ when they took a chance and made something outside of their wheel house. This is a boon as they can be considered in the same pantheon as ID, Naughty Dog and CD Projekt Red for blowing the doors off of what people are expecting in a game. However lets talk about the game instead of the people behind it.

From a cynical point of view, Horizon Zero Dawn does “nothing new”. There are similar quest structures in games like the Witcher 3, crafting systems like in Farcry or Fallout. Bow combat from multiple different games and an open world story that blends Uncharted type acting with the ‘do anything you want at any time’ of today’s open world genre. If you ARE a cynic, then this might be a good place to stop for you as I am going to delve into why Horizon DOES do something new, and that new thing is how it marries all of these idea’s into a beautifully polished package, a feat that none of its comparisons have accomplished yet.

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The first thing anyone notices about Horizon Zero Dawn is its beauty. The game is gorgeous and, in my opinion, doesn’t have an equal on console, as well as rivals some of the best looking games on PC at the moment. Whether its sneaking through the brush, luring your enemies to their death or pounding the trail on the back of a mount racing through a nest of Glinthawks, the game just flows like warm maple syrup. Everything feels like it is in its right place, as I enjoy the mundane aspects like climbing, because it feels good to do, as much as battling a pack of Scrappers or Ravagers. Simple aspects like running both look and feel solid, while leaping off of a boulder or performing a drive-by on the back of a Strider flow from beat to beat with rarely a stutter. Watching the fog in the forest burn away as the sun comes up and you catch glimpses of the wild life scurrying away from you or catch the faint glow of a machine on the distance.

While it has many virtues to its looks, there are some clear downfalls to be seen throughout the entire game. The primary source of these complaints come from the facial animations in the cut scene’s and dialogue interactions. While they still look great, characters mouths don’t quite line up with what they are saying, and their eyes and head start to turn/shift in odd ways as you learn more about a quest or receive thanks from a stranger you have helped. What makes this small gripe so noticeable is the fact that the rest of the experience is handled with such polish that it stands outs so starkly. There are also instances of ‘glitchy dead’ or corpse dancing, though for myself it has only happened once and while you get smooth animations as you one hand vault over a piece of debris, you occasionally see the floating head of a Carja guard as you are approaching. Again this isn’t a major gripe, but it is noticeable so should be mentioned.

Looks aside, I think it is important to move directly into combat, as they have a stronger relationship in this game that most. Out of every aspect in Horizon Zero Dawn that we typically judge a game on, the combat is the crowning achievement you should walk away with. As a third person action game, the shooting mechanics, primarily bow, are second to none. As you upgrade Aloy’s abilities you can gain the ability to knock multiple arrows, to help apply status effects, or the time dilation while jumping to line up that perfect head shot. You can slow time down naturally while aiming without jumping to help you time your shots on charging or flying targets and use the brush to silently kill enemies you lure towards you. Couple this with the ability to set up trip wire traps, tether creatures to the ground and set up individual traps all over to foil enemy flanking attempts and you have a robust combat system to play with over the 30 plus hours you can spend in-game.

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What makes these systems so praise worthy is just HOW fun it is to use them. I spent twenty hours in the starting area, running around killing creatures in different ways. Watching the previously mentioned beauty as Watchers twist as they spin up their leap attack, or dodge and loose a pair of arrows into the side of a charger as it barrels past are simply pure fun. As you progress in creature size and complexity, you upgrade your weapons and get new ones that allow you to change the way you play like using the slingshot for area denial or large group damage. You can hide and corrupt a herd of creatures and watch them battle each other to the death, then stroll in to collect the loot, polishing off any stragglers. Lest we also forget that you can actually override creatures, so gain your self a battle companion which aids you in any nearby combat that happens.

I could extol the virtues of the combat all day, but there are negative aspects. From a general perspective, I have friends who don’t like the fact there is no lock on functionality. As a primarily ranged game I personally think that this would hinder the system, but eye of the beholder and all that as I see the rare time you should be relying on your staff you are already kinda boned. Also in the potential negative camp is how the game deals with large groups of mechanical enemies. It is easy to get overwhelmed if you’re not paying attention which can lead to some frustrating deaths, though again this is more of a personal problem and not one I truly consider a game fault.

One aspect that I do find true fault with is battling against human AI. The issue doesn’t stem from the ability to “whistle-kill” an entire camp from the front door, though that is silly, but in the fact that human on human combat seems so lack luster compared to battling even the most basic of the robotic inhabitants. The human AI in general seems to be incredibly dumb as they will run through open fields to attack me in melee only to turn around and run back to cover, all the while I am shooting them in the face, neck, and chest with arrows. When enemies do get into melee range of you, or used specialized arrows you should look out. I have been taken for seventy-five percent of my health by one specialty arrow, and trying to duke it out in melee with even one brawler can result in huge chunks of your health disappearing much quicker than you would expect.

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Like with all games, there are two other important factors to consider, the audio and the story. While story is important and I will get to that at the end, I feel that the audio in Horizon Zero Dawn really stands a cut above. Whether you are running in the open planes, your feet thudding against the hard packed dirt, or the hard jingle of Oseram Arrow Breaker Heavy chain mail and plate as you leap through the forests dodging Ravager fire the sound always plays as a companion to your story and fights. The throaty grumble of a Snapmaw you may not have seen in the water beneath you saves you from an untimely death, while the whir of a corrupter allows you to dodge attacks from behind as you fight it’s companions. Combat aside, the musical scores that come filter in from the villages and towns brings a haunting serenity to your travels, sometimes hearing nothing but your own labored breathing from a long run, other times being engulfed in the chants of a congregation as they pray to their god. And sometimes as you check your phone for Facebook or Twitter, because we all do it, your head starts to bop as you are entertained by a nightly band that has just started its set from the local inn.

The meat and potatoes though is the story. While I know what happens, I have not personally finished the story on my play through, as I am going for the platinum trophy. That said, I will not be spoiling the story as the game is still relatively new. What I will say about Aloy, and her journey is that it is both incredible and subdued. We play as a young woman, who is strong, resourceful, witty, empathetic and funny, YET it doesn’t feel like someone is blatantly saying “Hey your playing as a girl”. This point may seem odd, but its hard to ignore in todays games media, or any genre culture media, the push for diversity in both character lead and stories told for. Much like The Last of Us dlc Left Behind is one great example of how diversity and progressive story telling can be done, and the way Aloy unfolds as a character keeps you engaged with her and her story and her story is an interesting one. The trailers say as much but you are an outcast, raised by a fellow outcast Rost, who teaches you the way of your people, and your adventures stem from those teaching and the questions you have from the time you were a small child.

I also found myself really engaged with side characters you meet, some near the beginning of the game, others near the end, which again I won’t spoil.  I engage and learn to love them because of how the developers tackle the issue of race, religion, sex and status by not really addressing them. Aloy is part of a tribe that has matriarchs, yet there is no hate or vitriol to be had from that scenario. Other tribes take societal, religious and physical appearances from all over the map.  I have seen Celtic, Norse, Native American, Aztec, Japanese, Zulu, Arabic, and Mongolian influences from the real world, with Dwarven and Minotaur traits pulled from the fantasy world. We cannot forget the druidic and shamanistic natures which many cultures have shared. This world feels like it has been lived in for a thousand years, and that has given us a rich pool to wade into and experience.

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A small but important note is all of the images you see here, are taken on the regular PS4, as I spent a good five or six straight hours just finding great shots.I truly fell in love with this game, something I have not done in a long time and I think this last shot above is a perfect summation of why. In Horizon Zero Dawn you are a tiny vessel in a world of metal wonder and whether its delving into its valleys, or climbing to its peaks, the Horizion is really the limit.

As with all of my reviews (going forward) I am using a -10 to 0 score where a -10 is utter garbage and a 0 is as close to perfect as you can get.

Final Score -0.5

Logan Review – Regenerating a love for the Berserker in all our hearts (Spoiler)

It is odd for a movie, especially one in the comic book genre, to leave you both fiercely grinning and wiping a tear from your eye. It evoked images of every Berserker rage we should have seen in previous movies past, along with the incredible compassion Wolverine has with younger female characters, a trait we have seen often. With our, seemingly, last snikt to be had, let’s get into a review of Logan.

Wolverine as a character has always been at odds with its movie counterpart. As a PG13 rated series in the X-Men, we have never really seen the animalistic nature of the Weapon X project in full swing until this movie. As a personal fan of the character since my real introduction to him in 1991, I have always wanted to see the rage and sorrow that good writers brought to the character, and while previous movie entries have tried, none have succeeded like Logan.

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The first five minutes of the movie show how broken down and beaten our Old man Logan really is. Relegated to a limo driver to stay alive and support Charles and Caliban as they hide out, he has to do everything possible to protect his livelihood aka the limo. Que the group of scumbags and a bloodbath ensues. Even in the minor rage we see towards the end of the fight, it is ever-present that there is something wrong with our anti-hero. This fight also shows us the brutal nature of the R rating, which pulls no punch’s as men are dismembered and disfigured with absolute authority.

Putting aside the violence for a moment, it has to be said that Hugh Jackman crush’s it in his portrayal of Logan in this movie. Taking bits and pieces from the Old man Logan comic book and mixing it in with ideas of family, self loathing, depression and the faint rays of light known as happiness play themselves out across the world-weary brow of Logan. Throughout this movie there is an underlying pressure which bubbles to the surface that causes not only Wolverine, but Charles, Caliban, Laura, and the villains known as the Reavers to shift violently into this movies R rating. This shift is not only what keeps the movie on its relatively quick pace but also helps you grow with the characters as they struggle with their life choices and battle their own demons. Putting aside the few instances in which the movie slows down, which I will talk about in a bit, the movie flies by for just under two hours and twenty minutes.

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While it is easy to extol virtue onto Hugh Jackman for this, in my opinion, Oscar worthy performance one should not sleep on the rest of the supporting cast. Patrick Stewart as Professor X gives not only the best performance of the character to date, but also manages to make the use of fowl language both funny and meaningful. You never think of that character as one to lower themselves to such a vulgar level, yet the first F’bomb you hear him utter not only makes you laugh, but gives you a moments pause to consider the situation they are in for that relationship, one of father and care taker of a troubled youth turned into one of bitterness, regret and strained loyalty.  His death scene in particular shows the terrible burden he realizes he did but also on how Logan took the burden of that travesty upon himself to spare his mentor the pain and anguish.

While he had a small role, I think it is worth talking about Stephen Merchant as Caliban. He had a small amount of screen time, even less than the villains of the story, but I feel his presence was akin to the ‘voice of reason’ for Logan’s perpetual darkness that he drudged through. This is plays again in the fact that he is ultra sensitive to sunlight, so his light in the darkness role plays twice in a somber yet humorous nature. The motif of shadow and light play in one final time due to a taunt thrown at him by the Reavers leader upon capture, and utters as a final defiance before his sacrifice to try and aid Laura and Logan in any way possible with “Beware the Light”.

Before talking about the incredibly talented actress in Dafne Keen, I want to touch on the villains of the movie. As mentioned before, our bad guys consist of a enhanced para military type unit called the Reavers. These cyborgs don’t sport all the modifications from their comic book representations, but hey we can’t always have a guy with tank treads rolling around now can we. Special mention should be given to Boyd Holbrook however as he walks the difficult line that all villains of this genre have to walk. His character, Donald Pierce, does an excellent job of being menacing, smart, and sophisticated without being cheesy, bland or overbearing. His understated animosity and aggressiveness towards, coupled with his brief star struck nature meeting Logan when looking for X23 is just one example of how a constant pressure applied to a wound, in this case Charles, Logan and Laura on the run, make for a great villainous intent that doesn’t need an overbearing nature we would expect from other comic book movies. He may not be Loki, but Donald Pierce might be one of the best villains in a movie with super powers.

Now to talk about the woman who stands toe to toe with our failing berserker, the incredible Dafne Keen. The short version of her character is she is a clone of Wolverine, made with his DNA in a lab somewhere and as a new version in the weapon X program, x23 to be exact, she was supposed to be a new weapon to be manufactured. For every inch of height disparity between Laura and Logan, Mrs. Keen makes up for in pure savagery when she unleashes her own brand of fury upon her enemies. It would be easy to think that a tiny girl would be dangerous, yet ultimately ineffective against men thrice her stature and estimated skill level, yet nothing could be further from the truth as not only is she a trained killer, but for someone so young she couples her brutal efficiency with her speed, agility and penchant for groin/near groin shots puts her high on the little murder girl spectrum.

For most of the movie X23 says nothing, instead preferring to communicate in pensive or glowering stares to all but the Professor. Her attitude give her a larger than life body in which we see her slip in and out of. On the one hand, the aforementioned murder girl vibe sits comfortably within her character as not only a clone of Logan, but as a defensive mechanism that any kid may try and reenact when treated as poorly as she has been. The other side of that coin falls into her softer side, the child peaking out of the animal that is caged within said child. A perfect example of this is her riding the mechanical horse and as she grows frustrated with the ride ending, and not understanding how to make it work, she resorts to a nature she knows works, violence. Que Logan with a quarter and stern gaze, and we see Laura’s demeanor switch back to that pensive stare to Logan and back again to the child, enjoying a ride on a mechanical horse.

Thankfully James Mangold, the writer and director was not content to make a tiny ball of rage be the only side we see from Dafne Keen’s performance. Once she starts talking, you feel the passion of a character looking for love, being scared, and trying to understand why a man, who feels like her doesn’t love her. If that doesn’t stab you through the heart then you could be a Reaver.

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As both simultaneously wind down the story and ramp up the violence, I think it is apt to actually touch on how violent this movie is. At an R rating, the fowl language is one thing, but rarely have we seen the R rating bring us the level of pin point carnage we see in Logan. The image above is actually one of the more tame images to choose from as we see the skull get pierced, slashed and eventually blown away, not to mention the copious amount of limb rending, flesh tearing and flurry of bladed blows to the face neck and chest of this movies more regenerative characters.

As stated in the first sentence of this review, I was grinning from ear to ear in every major fight, as I found Logan’s use of violence to be so inline with the character and the story that I couldn’t contain my happiness and excitement to see what unique way a man would die next. Morbid as it may sound, the brutality not only shocks you but it deepens the stakes we see as the movie progresses. Whether its Logan struggling against the telepathic outbursts of Charles Xavier, punching his claws into the wall as some sort of makeshift climbing pick only to stare into the eyes of men he killed or the fury and rage of a juiced up Logan in the forest frantically running and murdering yet still looking to protect the children he would as a member of the X-Men.

None of the violence hits quite as hard or bloody as the set pieces with X24. This clone of Wolverine is a pure ball of rage, akin to the escape of Logan when his moniker was Weapon X. The battle between new and old reads like every fight between Sabertooth/Deadpool and Wolverine  we want to see. Another reference that came to mind, and one that has been echo’d online quite a bit, is Terminator 2 which I think is incredibly accurate. In the last duel between them blood spills in the liters as both man and clone rend flesh from each other, one spending the last of his rage and anger to save a small girl and her friends, while the other seethes an unstoppable aura of rage and a regeneration factor to match, its clear the outcome is not in our heroes favour. Much like the performance he gives, Hugh Jackman’s death, and subsequent salvation are masterfully executed and just add to the prestige of the actor and the character. His salvation, comes at the hands of Laura, his daughter with an adamantium bullet he meant for himself, and while she robs him of a demise he thought he wanted, she gave him a peace he would have never found. The love of a child and the weight of despair lifted from his shoulders due to that love. Talking about his death chokes me up a little even now, as I have been invested in this character and mythology for over twenty five years now, and I personally find it to be the cap to a story I have been experiecing since I can remember. The final cap drives home the finality of these characters with Laura quoting the movie Shane, which she and Professor X watched in a hotel room. As she mimicks the speech that Alan Ladd’s character says to a small boy as a funeral speech, you see the similarities between new and old, not only with the movie’s character reflecting upon Logan, but upon how Logan reflects and influences Laura. As the children leave one final homage to the heroes she believed in, the X-Men, she turn his cross on the side to something simple and pure, an X

Logan in my opinion is the movie to beat this year. Not just from other comic book movies, but from films in general. It will be hard to beat the gut punch you receive as you sit with these characters, and there is a good chance the action will not be matched for years to come. As with all of my reviews (going forward) I am using a -10 to 0 score where a -10 is utter garbage and a 0 is as close to perfect as you can get.

Final Score 0

 

The Forge: Looking at Ubisoft Club and how cosmetic rewards should be part of the rewards for trophies/achievements

There has been suggestion, ever since their introduction, that trophies and achievements should add some sort of value to the games they are attached to. Idea’s like each platinum or one thousand gamer score of a game should garner you a few dollars in store credit. Others have been looking for something a bit less monetary, seeking stuff like themes, costumes and other in-game goods.

There have been many games that do this in some fashion, such as Dragons Crown and its artwork after completing levels and quests, Halo and Gears of War giving you avatar helmets, shirts and other accessories as well as many games now a days giving you pre-order skins, weapons or themes for your console. Before we jump into, what I consider to be, the positive aspects of Ubisoft Club lets take a moment to reflect on how Uplay was the first incarnation of their system and how god awful it was.

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Uplay, Ubisofts attempt at DRM, launched way back in July of 2012. While initially it was being touted as a distribution service, similar to Steam or EA’s Origin but it was quickly found out that Uplay was actually Usucks. As a DRM service it quickly became clear that Ubisoft were more focused on trying to control the experience as well as compete with the previously mentioned services as well and just as quickly as the DRM aspect was found out its user base found the service to be incredibly poor.

Not all was lost however, as Uplay introduced, and ultimately became the system I want to talk about here today which is Ubisoft Club. To give a bit of context, Ubisofts Club program which tracks, if you are signed up, your games progress across multiple platforms. As you get trophies or achievements within the game or complete in-game quests or challenges. What does this do for you? Well it gives you an app currency call units, which allows you to purchase in game items. Examples are things like gun skins for Rainbow Six Siege or character costumes in South Park: The Stick of Truth.  Like stated above, there has always been a drive to see our trophies or achievements reward the player in some stance, and while it would be nice to see a monetary value I highly doubt that will ever happen.  What I can see becoming the norm across all gaming platforms is something like Ubisoft Club, let me explain why.

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First off, lets talk about the potential negative aspects for a system like this being implemented across all platforms. The immediate though it sectioning off content from the main game to use for this system, much like some believe DLC content is being used. To be fair we have seen companies play on both sides of this fence and some of the less scrupulous one would opt to take the easy way out. Another aspect of this is watered down versions character creators or customization within the game as the developers would want you to play through as much of your game to unlock these options.

The other potentially negative aspect of this system is the cross-pollination rewards from the same developer. Ubisoft already does this as when you are going through one game, such as The Division, you see rewards for being a part of the alpha or beta for that game as well as having a copy registered of another game, such as Rainbow Six Siege in this example. Some may consider this to be a moot point, as you could make the argument for, “If I don’t want the game, I won’t buy it” and that argument is valid. However I do have the worry that this point couple’s in with my first point on sectioning off the best content to these essential pay walls.

Considering all of the negative aspects though, I personally think there is potential for this type of service/system to be a net positive overall. Obviously, if you don’t care about the cross promotional items then not having them will be a moot point, which goes double for customization options in general if that is not an important feature to you. What I think could be the driving force behind this however is the ability for each dev to give more to the players without really raising the costs of their development.

There is obviously the initial investment of setting up this Club type system but once that is in place on one game, you can start to streamline the process across all your other titles. Giving your players who beat the single player campaign of their game a new character skin or weapon skin is just a small piece of the picture. You could include themes or wallpapers. If you want to move away from Collectors editions you could include the soundtrack once you have platinum/1000 gamer score a game, or completed it on the hardest difficulty.

Coupling the single player aspects into multiplayer could also bring about significant longevity to a game as a new skin or taunt animation from single player could have some of us going back in to grind/work for it while multiplayer-centric unlocks and items could not only be tied to, once again, trophies or achievements but to quests or missions you carry out in the game. A perfect recent example of this is For Honor, which has a mission system in its game already, and once that could be easily modified or copied over to Ubisoft Club’s platform to keep people invested in said game much longer. Rainbow Six Siege already has this function enabled, and gives you in-game currency and experiences points.

While I am not sure if this will ever happen, to me it seems like a smart move as a publisher to start looking into something like this because at the end of the day, don’t you want a higher retention rate on your games? Maybe the gamification of games can help with that.

For Honor review: Scream, Aim, and toss your enemies off a cliff! (Final review)

Ubisoft Montreal might have had a magic mirror into my heart when they started thinking up this game. As a long time proponent of action adventure games which focus on combat For Honor is a seemingly perfect package of visceral combat, fun customization and easy to learn but hard to master combat system.

For honor is a third person action fighting game which dives deeper into the traditional heavy and light attacks normally associated with action fighting games. Make no mistake, you are still aiming to crush your opponent’s head or lop off a limb, but the combat system has its feet firmly planted in the tactical nature that most associate with higher level traditional fighting games such as Street Fighter or Mortal Kombat. In For Honor, you have three stances which correlate not only to how you attack, but also how you block. So if you are situated to swing on your left side, any attack’s coming from that side, your opponents right, would be auto blocked unless you are in mid swing or other more advanced mechanics like parry’s, guard breaks and unblockable attacks.

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What is fantastic about each faction, such as the Knights shown above, is that every character has the same base mechanics; light attack, heavy attack, block, parry and combo chains to do continuous damage yet each character plays in its own unique way. Even within the loosely based class system of Assassin, Heavy, Vanguard and Hybrid those characters have a different skill set you need to master to truly blossom in battle.

Mastering the characters you think are interesting or cool is both the focus and the detriment to the game though. If you focus merely on one character you start to fully realize their potential but then struggle to identify the nuances of others. I personally Play the Conqueror and routinely find myself struggling against the faster more agile assassins of each faction. If you are looking to hone your skills, the practice mode has a couple of bot’s which help you anticipate certain characters move sets as you increase the difficulty.

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There are six games modes you can pick from, five of them being multiplayer modes like Dominion, 1v1 duels and 2v2-4v4 elimination match’s while the sixth mode type is the single player. The single player runs you through six levels for each faction and in my experience so far, just finishing the knight campaign, it is a fun way to learn each of the characters at a basic level while helping newer players come to gripes how each character attacks and defends. The slightly annoying aspect is that if you already did the practice mode, which grants you some in-game currency called steel, then jump into the single player campaign, you will get these same tutorial prompts over the course of the campaign. Minor gripe, but I didn’t see a place in options to turn that off.

The real meat of this game however is in its multiplayer mode. I personally prefer Dominion as I am still trying to ‘git gud’ in duels but each mode brings you as a fighter into a well designed and beautiful looking world in which you can unleash your rage against your enemy, or just troll them and throw them off the side of a cliff, which is great when you do it to someone but incredibly rage inducing when it happens to you. One thing I will mention if you are duo queuing in duels is be honorable, fight your fight and if you win wait for the other fight to finish before jumping into the combat, if your teammate lost, and you should see many players do the same in return. The “honor of the duel” seems to be pretty well-respected in these match’s but every once in a while you come across a pair of shitheads who bring shame to their family.

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Not all is mead and cherry blossoms however, Ubisoft decided to run it’s multiplayer match’s off of a peer-to-peer system which, as many are painfully aware of, can cause issues with lag if you are fighting against people with poor connection or on the other side of the planet. Like many PtP connection they try to match you with users close to you so your connection is good, but you don’t always find those games, and on more than one occasion I am battling against people/ in Asia, Germany and Spain and the game starts to act a bit wonky. This has also caused issues with connecting to games in general as there are many times I have sat in a search lobby for two to three minutes only to be timed out. *After playing for a couple of weeks now, the peer-to-peer connection is still an issue that players have to deal with and it hurts the flow and pacing of most fights. Getting random disconnects, or taking five minutes to load into a match can really put a damper on your spirit to play.

Another aspect which seems a bit lack luster is their currency system, or I should say their acquisition of said currency. Like I mentioned above the practice mode gives you two thousand steel, while advanced practice mode gives you an additional fifteen hundred. However after that your steel generation is tied to your performance in combat and completing daily missions. All give you exp and steel but the quantity varies and if you are still learning the game, there are some missions that will be very difficult to complete.

Finishing up the review

After putting in another twenty or thirty hours, I can say my opinion of For Honor has shifted slightly. While still an overall positive review of this game, I think Ubisoft has, once again, harmed their own property with poor choice and sloppy implementation. Lets break down the last pieces of this review with the completion of the campaign and delving into some higher tier player vs player combat.

On the side of the story, For Honor delivers a pretty enjoyable single player experience. Each chunk, one for each faction is split into six missions. These missions are there to not only teach you about the various classes, as stated above, but also to break up the potential monotony of playing the same class. I played the game co-op on the realistic setting which increased the games difficulty up a bit for most of the game, but had random huge difficulty spikes, usually when it came to a boss. The end boss battle against Apolyon for example is utterly brutal, and made even more difficult with the addition of more enemy npc’s due to the co-op mode. On any other difficulty you get a well paced, albeit simple, story that is pretty enjoyable to play.

While I have enjoyed my time playing For Honor the bulk of its game play, the multiplayer, really started to show its short sighted nature over the last week or so. In the 1v1 and 2v2 dueling modes, the game is at its absolute best as you are competing straight up with another person’s skill, an aspect of the game I think the developers really nailed home. However once you start getting into the 4v4 game modes; elimination, dominion and skirmish, break down both the games skill and tactical nature of game play. Feats allow the player to alter their character in ways that are hard to predict, so in one fight you could hit harder, regenerate off of killing minions while in the next game you could face off against someone who has two ranged attacks which do huge damage to you. While I get the added flavour and surprise factor of these feats, it does detract from the actual fighting mechanics in For Honor.

Speaking of fighting mechanics, it seems once you get into a 4v4 game type, the concept of one on one fights, challenging capture points and tactical thinking while playing goes right out the window. No one fights in any meaningful fashion as it boils down to ganging up on lone targets, and running away from any fight that isn’t two to one in your favour. This really cuts down on the finesse of For Honor’s combat system and frankly segments the community a bit when it comes to the game overall. You have those who are looking for the skill based combat of duels and 2v2, and in the opposite camp you have the murderfest of the 4v4 game types.

At the end of the day, I still enjoy the game, as I have said a few times now. I find the combat enjoyable and the experience with friends to be an extra entertaining time as we yell and curse about being thrown into pits, hit by friendly teammates bleed damage and win that sweet 2v1 battle by the skin of our teeth. As with all of my reviews (going forward) I am using a -10 to 0 score where a -10 is utter garbage and a 0 is as close to perfect as you can get.

Final Score -2.5 

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The Rumour Mill: How the DCEU seems to churne under weight of speculation

Warner brothers and DC are currently at the end of round three in a twelve round fight with Marvel. Shots have been exchanged but Marvel is, by the score card, ahead in points. If this were a movie we would be treated to a flash back to the beginning of the fighters run as they go through their trials and tribulations to get to this big fight. This is not a movie however and there is no Denzel to lead us through the current battle. Fight analogy aside the WB/DCEU is in a box office battle against Disney/Marvel for the superhero crown and the last four months have not been kind to the house that is to give us the Justice League.

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Arguably the most popular and well-known hero in the world Batman has been a good card for DC to use when they need to draw interest. Whether it’s the Christian Bales/Christopher Nolan Dark Knight trilogy or the newly minted Affleck from Batman v Superman, our caped crusader draws in a large and enthusiastic crowd. For all its positives though, this latest iteration of Batman has brought some turmoil to all involved.

Before touching on the Batman as a solo project lets look back on the three entries already in DCEUs current cinematic universe, and as an aside I personally enjoyed all of these movies and while I had issues with aspects of each movie I feel they were in the “good” category rating in line with some of the  Marvel films.

DCs first entry was Man of Steel and it gave us the starting point for both tone and feel that Warner Brothers wanted to head in for their movie universe. Superman squares off against true warriors of his race as he battles to find his place in the world of man. The next movie jumps us forward into a pre-justice league style movie with Superman, Batman and Wonder Woman featured prominently with cameos from the remaining team members; Aquaman, Cyborg and the Flash. The holy trinity battle against Lex Luthor (from earth 3 it seems, but that’s neither here nor there) and the monster known as Doomsday. The last movie WB has put out is the Suicide Squad, a ragtag band of villains who get forced into work for a secret part of the government to take out even bigger threats.

You might think “Well why do those movies matter if we are going to talk about Batman” which is a great question. Ben Affleck was one of, if not the, best thing about Batman v Superman in many people’s eyes as he brought a great look and feel to both sides of the character. Fast forward to the last six months and the Batfleck has been the eye of the storm for many of the rumors and speculation. Before his movie Live by Night came out, Affleck seem to have carte blanche for his producer/director/co-writer/actor roles for the upcoming solo Batman movie. A weak performance at the box office and Life by Night might have actually cut off some of the freedom that Ben had. Couple this potential issue with statements like “I will only direct if the script is good” when he is writing the script and one can surmise he was getting pinned in a corner. We have now, over the last month, gotten information that Affleck is no longer directing and no longer writing. For the directing chair it seems Warner brothers is looking at Matt Reeves and the script has gotten one full rewrite treatment by Chris Terrio with a potential second heavy/full rewrite.

Add to the fact that there are rumors that the Terrio script was liked by Ben and WB, that it’s going in for full rewrites and the potentially A-bomb that Affleck wants out as Batman and fans have a plethora of potential reasons to be concerned with the future of this cinematic universe.

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While all of the Batman news eats up most of the headlines, there has been rumblings that the Wonder Woman movie is not shaping up well. These rumors claim that the movie is a jumbled mess, which is a pretty serious accusation to throw around on a movie which has a huge load on its shoulders. Wonder Woman is the first female lead super hero movie to hit the big screens from either company, which is huge on its own right, but it is also another chance for DC and Warner Brothers to get the double thumbs up; a critical and box office success. Out of every DC movie I personally want to see Wonder Woman and Aquaman crush it, so these types of rumors kill me inside a bit.  On the positive side, the lack of mainstream coverage on this could be a good thing as these accusations of a poorly constructed movie could be nothing more than simply that, accusations.

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This brings us to the last movie I have heard a ton of rumors/issues about and that is the Flash. This movie has been struggling for over quite a while now with the numerous script rewrites and directors leaving the project which, in my opinion, puts it in the most jeopardy of cancellation or push back to 2019/2020. The Flash, tonally, is the lightest out of the entire DC movie roster as the character is often depicted as the comic relief or heart of the team. With the delays and rumours about this project stagnating and being slow to start-up again, it is worrying on how Flash will fit into the overall DCEU universe, especially when he is likely to be the vehicle that Cyborg will also be introduced with.

So all of these seemingly negative aspects for Warner Brothers and DCs cinematic universe are more than enough to give the average person pause. It seems, if you only listen to the rumors, that nothing is going well and everything is doom and gloom. This type of mind-set that the general audience can get is what really hampers the studio’s ability to get the most out of their movies. While it’s not strictly a competition many compare Marvel studios and the success their films have had over DC as a marker for what success is, usually the billion dollar mark, and when the DC films miss that mark, they get labeled as a “failure”. This is obviously false as a universally loved movie, Guardians of the Galaxy, made less than Batman v Superman, which was highly divisive with fans and critics alike.

At the end of the day, I think there is one thing that WB and DC could take from the Marvel studio’s style of story telling and that is to come up with a solid movie first, then add their respective character flavor to it. Oh and let’s stop announcing projects 10 years into the future please, as we know they are not going to stay in the places you initially mention them, and it looks pretty stupid when you have to cancel/move projects multiple times because of flash in the pan hype on something, and yes I am looking at you Birds of Prey movie.

Nintendo Switch Conference: High expectations and low returns

Like many of us I went into the Nintendo Switch presentation with high hopes, one could say too high. News leaks and tidbits of info got me to believe in the hype and raised my expectations of what was to come. Sadly though I broke the cardinal rule when it comes to conferences/game & console releases and allowed the hype to get out of hand and thus brings me, and seemingly many others, into the camp of confusion and disappointment.

The beginning of the conference started off well, as we got the price point of 299.99 American and a release date of March 3rd with the added bonus of a simultaneous launch in most major markets. Add this to the removal of region lock and fact that you can link up to eight Switch’s together to play in the same game and the console had a lot of promise to be a fun machine to bring around with you, but then we get into the oddball announcements. 

Nintendo is jumping into the ‘paid online service’ game along with Microsoft and Sony, but not until the fall as they have nothing currently ready to pay for. To compound this it was announced that subscribers to the service would receive one Nintendo or Super Nintendo game each month, however it was only for the month. While odd, this does run similarly to Microsoft’s games with gold program so maybe this won’t be as big of an issue as I think it is.   There is not much information on how this is all working, so like the free game a month, this may not be as big of an issue once more information is released. The one aspect of the Switch which has everyone scratching their head is Nintendo’s decision to make their voice coms system only usable through other media devices such as phones and, I assume, tablets. It boggles the mind on how this was the best solution in their mind especially when you consider that each game will decide if they want to include it or not.

Talking a bit more about the system brought to light some fears that were already in the community, the battery life, some basic quality of life upgrades in a capture/share button and everyone’s favourite feature; rumble. The battery life is touted as being two and a half hours to six hours which will likely be closer in reality to the lower end of the battery life. Battery life is always a tricky subject to tackle as people want to be optimistic about how long their charge will last, and much like phones the more you use your system the less the charge retains. It will likely be two and a half to three hours for most ‘big games’ and four to five hours for smaller or less intensive experiences while retaining the full six when using YouTube or other low end functions. As Nintendo showed off the controller, it was easy to see that it was not make for the average north american/European hand as they are incredibly small. A small saving grace is that the strap you attach to the Joy Con gives the entire controller a bit more girth.

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While we hummed and hawed over the console itself, Nintendo started talking about their games. Some part of the launch day line up, others within the launch window and finally some, which for the non-Japanese reading audience, were oddities with no date, or name, really set.  Eurogamer has a list of all games apparently announced for the Switch at some point and broke them down into their respective launch windows.

The launch day titles for the Nintendo’s new console seem to run the gambit of a traditional launch. You have the heavy hitter title in Legend of Zelda: Breath of the Wild, followed up with games like Just Dance 2017 for the family entertainment and Skylanders Imanginators as a title for the younger audience. Add in a dash of nostalgia with a new look in Super Bomberman R and you have a moderate line up to keep most type of players engaged. The last launch title is 1,2 Switch, a new party style game which uses the Joy Con to perform activities such as milking a cow, seeing who has the quickest draw ala the wild west gun fights as well as a host of other face to face variations of games. This eschews the traditional screen experience to, as Nintendo is know for, try and bring a unique experience to the user(s) while they play. Heavily mocked name aside, I personally think there are some interesting applications and mini games to be found here, even if one of them is milking a cow.

We then get into the post release first party games, which range from a month or two after launch all the way to the the holiday season we get to some meaty games. Right away Mario kart 8 sticks out for two opposite but equally important reasons. On the one hand, having a kart game near the launch of the Switch is very important and gives the audience one of Nintendo’s most family friend titles. On the opposite side of that coin however is the fact this Mario kart is a ‘game of the year’ edition, bundling all the existing dlc into one disc, with a new piece of dlc in a few characters maps and battlemode changes. The lack of a new game worries some as it seems like the Switch has been relegated to ports of games on the Wii-U. The summer brings us Splatoon 2 which again seems to suffer the same ‘port +’ issues as Mario Kart, and then potentially nothing. Every other first party title is late 2017 or TBC, which does not instill confidence which is infuriating as games like Fire Emblem Warriors, Super Mario Odyssey and the rumored Pokémon Stars are heavy hitters needed. 

Third party games, the life blood that Nintendo needs, makes a moderately strong showing with fifteen games announced for 2017. We however immediately go back to the concerns discussed in the first party section. Seven of these titles are ports and while that is less than half, it is by the narrowest of margins.  Couple that with the other eight games do not scream triple a title and no real release date talked about, fans can’t help but feel a bit jilted, even if they are looking forward to said titles. For my own personal taste the other games by third parties with a TBC as the release date are my most anticipated as games like Dragon Quest X and XI, Seasons of Heaven, Shin Megami Tensei, and the ridiculously named Project Octopath Traveller. The wait for these however is one, on a personal level, of the biggest frustrations about the Nintendo Switch.

Much like movies, no sane person goes into a hobby or entertainment experience and hopes it fails. With that said I find that for every step forward made at this conference was coupled by two steps back with poorly defined objectives and an underwhelming plan for the year. I want Nintendo to be a juggernaut and bring their experiences to the masses, but as of this moment we are seeing a similar message as the Wii-U and that worries me as a fan of the company and a fan of their properties